This way, all your light sources have the same color temperature, and you can adjust the white balance properly. So, you can use yellow-orange corrective gels on your flash. Since the flash is calibrated to recreate sunlight which is supposed to be white, the blue doesn’t have anything to compensate, and it simply looks blue. This is because the camera is using blue to compensate for the yellow-orange of the tungsten. Now, if you make a portrait in that environment and use a flash to light the model’s face, she will look blue. You can fix this by setting the white balance of your camera to that light. Let’s say you’re working indoors, and the ambient light is tungsten. If you’re working with mixed lights, you can balance the temperature of your lights using color gels. Corrective GelsĮach light source has its own temperature – as a result, different lights will have different colors. One is to correct the hues of the light sources the other is to get a creative effect. ![]() ![]() There are two ways to use color gels in photography.
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